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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure |
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FABRITIUS, Carel
The Goldfinch dfgh
1654
Oil on panel, 33,5 x 22,8
Mauritshuis, The Hague
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FABRITIUS, Carel
Self-Portrait sfgh
1654
Oil on canvas, 70,5 x 61,5 cm
National Gallery, London
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FABRITIUS, Carel
Self-Portrait 1202
c. 1645
Oil on panel, 65 x 49 cm
Museum Boymans-van Beuningen, Rotterdam
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FABRITIUS, Carel
Self-Portrait dfhm
Oil on panel, 62 x 51 cm
Alte Pinakothek, Munich
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FABRITIUS, Carel
The Beheading of St. John the Baptist dg
Oil on canvas
Rijksmuseum, Amsterdam
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FABRITIUS, Carel
View of the City of Delft dfg
1652
Oil on canvas, 15,4 x 31,6 cm
National Gallery, London
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FABRITIUS, Carel
The Goldfinch (mk08)
1654
Oil on panel.
33.5x22.8cm
The Hague,Mauritshuis
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FABRITIUS, Carel
The Goldfinch
mk86
1654
Oil on panel
33.5x22.8cm
The Hague,Mauritshuis
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FABRITIUS, Carel
Hagar and the Angel
Date ca. 1643-1645
Medium Oil on canvas
Dimensions 157.5 X 136 cm (62.01 X 53.54 in)
cyf
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FABRITIUS, Carel
Young Girl Plucking a Duck
Oil on canvas
Dimensions 84,1 x 70 cm
cyf
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| FABRITIUS, Carel
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Dutch Baroque Era Painter, 1622-1654
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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