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Elioth Gruner
Misty Landscape
mk167
c.1920
Oil
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Elioth Gruner
Spring Frost
Spring Frost (1919, oil on canvas, 131.0 x 178.7 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Summer Morning
Summer Morning (1916, oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Tamarama Beach
Tamarama Beach (1920, oil on canvas, 22.8 x 27 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Afternoon, Bondi
Afternoon, Bondi (1915, oil on canvas, 25.5 x 22.7 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Morning Light
Morning Light (1916, oil on canvas, 38.5 x 43.7 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Bondi Beach
Bondi Beach (1912, oil on cardboard, 22.0 x 21.5 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Along the Sands
Along the Sands (oil on board, 14.5 x 27 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Mingoola Valley
Mingoola Valley (1920, oil on canvas, 59 x 74.5 cm) by Elioth Gruner (1882-1939).
cjr
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Elioth Gruner
Spring Frost
1919, oil on canvas, 131.0 x 178.7 cm) by Elioth Gruner (1882?C1939).
The painting is in the collection of the Art Gallery of New South Wales.
cyf
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Elioth Gruner
Tamarama Beach
oil on canvas, 22.8 x 27 cm) by Elioth Gruner (1882?C1939).
cyf
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Elioth Gruner
Summer Morning
oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882?C1939).
cyf
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Elioth Gruner
Afternoon Bondi
oil on canvas, 25.5 x 22.7 cm) by Elioth Gruner (1882?C1939).
cyf
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Elioth Gruner
Morning Light
oil on canvas, 38.5 x 43.7 cm) by Elioth Gruner (1882?C1939).
cyf
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Elioth Gruner
Bondi Beach
oil on cardboard, 22.0 x 21.5 cm) by Elioth Gruner (1882?C1939).
cyf
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Elioth Gruner
Along the Sands
oil on board, 14.5 x 27 cm) by Elioth Gruner (1882?C1939).
cyf
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Elioth Gruner
Mingoola Valley
oil on canvas, 59 x 74.5 cm) by Elioth Gruner (1882?C1939).
cyf
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| Elioth Gruner
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New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),
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