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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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EYCK, Jan van Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. |
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EYCK, Jan van Crucifixion dgd 1420-25
Oil on wood transferred to canvas, 56,5 x 19,5 cm
Metropolitan Museum of Art, New York
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EYCK, Jan van Last Judgment sfg 1420-25
Oil on wood transferred to canvas, 56,5 x 19,5 cm
Metropolitan Museum of Art, New York
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EYCK, Jan van Madonna in the Church dfh c. 1425
Oil on wood, 32 x 14 cm
Staatliche Museen, Berlin
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EYCK, Jan van Stigmatization of St Francis df 1428-29
Oil on wood, 12,5 x 14,5 cm
Philadelphia Museum of Art, Philadelphia
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EYCK, Jan van Portrait of a Goldsmith (Man with Ring) dfg c. 1430
Wood, 16,6 x 13,2 cm (without frame)
Romanian National Museum, Bucharest
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EYCK, Jan van Portrait of Cardinal Albergati sdg c. 1435
Silverpoint, 212 x 180 mm
Kupferstichkabinett, Dresden
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EYCK, Jan van Portrait of Cardinal Niccolo Albergati dfg 1431-32
Oil on wood, 34,1 x 27,3 cm
Kunsthistorisches Museum, Vienna
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EYCK, Jan van Portrait of a Young Man (Tymotheos) de 1432
Oil on wood, 34,5 x 19 cm
National Gallery, London
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EYCK, Jan van Man in a Turban ds 1433
Oil on wood, 25,5 x 19 cm
National Gallery, London
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EYCK, Jan van Madonna with the Child Reading dfg 1433
Oil on wood, 26,5 x 19,5 cm
National Gallery of Victoria, Melbourne
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EYCK, Jan van The Virgin of Chancellor Rolin dfg 1435
Wood, 66 x 62 cm
Mus??e du Louvre, Paris
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EYCK, Jan van The Virgin of Chancellor Rolin (detail) dfg 1435
Oil on wood
Mus??e du Louvre, Paris
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EYCK, Jan van The Virgin of Chancellor Rolin (detail) ds 1435
Oil on wood
Mus??e du Louvre, Paris
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EYCK, Jan van The Virgin of Chancellor Rolin (detail) dsgs 1435
Oil on wood
Mus??e du Louvre, Paris
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EYCK, Jan van Portrait of a Man with Carnation re c. 1435
Oil on wood, 40 x 31 cm
Staatliche Museen, Berlin
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EYCK, Jan van The Annunciation sdw c. 1435
Oil, transferred from wood to canvas, 93 x 37 cm
National Gallery of Art, Washington
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EYCK, Jan van Portrait of Baudouin de Lannoy nere c. 1435
Oil on wood, 26 x 20 cm
Staatliche Museen, Berlin
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EYCK, Jan van Portrait of Giovanni Arnolfini s c. 1435
Oil on wood, 29 x 20 cm
Staatliche Museen, Berlin
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EYCK, Jan van Portrait of Jan de Leeuw swh 1436
Oil on wood, 24,5 x 19 cm
Kunsthistorisches Museum, Vienna
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EYCK, Jan van Suckling Madonna Enthroned ss c. 1436
Oil on wood, 65,5 x 49,5 cm
Städelsches Kunstinstitut, Frankfurt
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EYCK, Jan van
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Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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