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Cimabue
Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.

 

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Cimabue The Santa Trinita Madonna oil painting

Painting ID::  412

X 
 

Cimabue
The Santa Trinita Madonna
Galleria degli Uffizi, Florence
   
   
     

 

 

Cimabue Maesta (mk08) oil painting

Painting ID::  21141

X 
 

Cimabue
Maesta (mk08)
c.1270 Tempera on wood.427x280cm Paris,Musee National du Louvre
   
   
     

 

 

Cimabue Apocalyptical Christ (detail) fg oil painting

Painting ID::  6037

X 
 

Cimabue
Apocalyptical Christ (detail) fg
1280-83 Fresco, 350 x 300 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue Apocalyptical Christ (detail) dfh oil painting

Painting ID::  6038

X 
 

Cimabue
Apocalyptical Christ (detail) dfh
1280-83 Fresco, 350 x 300 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue Crucifix ioui oil painting

Painting ID::  6039

X 
 

Cimabue
Crucifix ioui
1280-83 Fresco, 350 x 690 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue The Capture of Christ (detail) fdg oil painting

Painting ID::  6040

X 
 

Cimabue
The Capture of Christ (detail) fdg
Fresco Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue Madonna Enthroned with the Child, St Francis and four Angels dfg oil painting

Painting ID::  6042

X 
 

Cimabue
Madonna Enthroned with the Child, St Francis and four Angels dfg
1278-80 Fresco, 320 x 340 cm Lower Church, San Francesco, Assisi
   
   
     

 

 

Cimabue St Matthew (detail) dfg oil painting

Painting ID::  6043

X 
 

Cimabue
St Matthew (detail) dfg
1280-83 Fresco, 450 x 900 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue St Matthew (detail) sdgf oil painting

Painting ID::  6044

X 
 

Cimabue
St Matthew (detail) sdgf
1280-83 Fresco, 450 x 900 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue St John (detail) dfg oil painting

Painting ID::  6045

X 
 

Cimabue
St John (detail) dfg
1280-83 Fresco, 450 x 900 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue St Luke (detail) sd oil painting

Painting ID::  6046

X 
 

Cimabue
St Luke (detail) sd
1280-83 Fresco, 450 x 900 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue St Luke (detail) gh oil painting

Painting ID::  6047

X 
 

Cimabue
St Luke (detail) gh
1280-83 Fresco, 450 x 900 cm Upper Church, San Francesco, Assisi
   
   
     

 

 

Cimabue Crucifix fdbdf oil painting

Painting ID::  6048

X 
 

Cimabue
Crucifix fdbdf
1268-71 Tempera on wood, 336 x 267 cm San Domenico, Arezzo
   
   
     

 

 

Cimabue Crucifix (detail) dfg oil painting

Painting ID::  6049

X 
 

Cimabue
Crucifix (detail) dfg
1268-71 Tempera on wood, 45 x 28 cm, (full painting: 336 x 267 cm) San Domenico, Arezzo
   
   
     

 

 

Cimabue Crucifix (detail) fgdrjm oil painting

Painting ID::  6050

X 
 

Cimabue
Crucifix (detail) fgdrjm
1268-71 Tempera on wood, 45 x 28 cm, (full painting: 336 x 267 cm) San Domenico, Arezzo
   
   
     

 

 

Cimabue Crucifix (detail) fdg oil painting

Painting ID::  6051

X 
 

Cimabue
Crucifix (detail) fdg
1268-71 Tempera on wood, 64,5 x 53 cm, (full painting: 336 x 267 cm) San Domenico, Arezzo
   
   
     

 

 

Cimabue Crucifix dfdhhj oil painting

Painting ID::  6052

X 
 

Cimabue
Crucifix dfdhhj
1287-88 Panel, 448 x 390 cm Museo dell'Opera di Santa Croce, Florence
   
   
     

 

 

Cimabue The Madonna in Majesty (detail) fgjg oil painting

Painting ID::  6053

X 
 

Cimabue
The Madonna in Majesty (detail) fgjg
1285-86 Tempera on panel, 91 x 75 cm (full painting: 385 x 223 cm) Galleria degli Uffizi, Florence
   
   
     

 

 

Cimabue The Madonna in Majesty (detail) dfg oil painting

Painting ID::  6054

X 
 

Cimabue
The Madonna in Majesty (detail) dfg
1285-86 Tempera on panel, 47,5 x 39 cm (full painting: 385 x 223 cm) Galleria degli Uffizi, Florence
   
   
     

 

 

Cimabue The Madonna in Majesty (Maesta) fgh oil painting

Painting ID::  6055

X 
 

Cimabue
The Madonna in Majesty (Maesta) fgh
1285-86 Tempera on panel, 385 x 223 cm Galleria degli Uffizi, Florence
   
   
     

 

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Cimabue
Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.