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Christian Krohg
Et Nodskudd
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Christian Krohg
Solskinn
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Christian Krohg
The Sick Girl
1880-81
Nasjonal Galleriet, Oslo
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Christian Krohg
Portrait of the Norwegian Painter Gerhard Munthe (nn02
1885
Oil on canvas,59 1/16 x 45 1/4''
Nasjonalgalleriet,Oslo
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Christian Krohg
Portrait of the Artist Karl Nordstrom at Grez
mk235
1882
Oil on canvas
61.5x46.5cm
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Christian Krohg
Look ahead,the harbour at Bergen
mk235
1884
Oil on canvas
62.5x86cm
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Christian Krohg
Portrait of the Artist Gerhard Munthe
mk235
1885
Oil oncanvas
150x115cm
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Christian Krohg
Paris Hackney Cab Driver
mk235
1898
Oil on canvas
43x29cm
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Christian Krohg
sick girl
mk247
1880 to 81,oil on canvas,47x41.5 in,120x105.5 cm,nasjonalgalleriet,oslo,norway
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Christian Krohg
Albertine i politilagens ventevarelse
«Albertine i politilægens venteværelse» (Albertine at the Police Doctor's Waiting Room), 1885-87 at National Gallery of Norway, related to his novel Albertine
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Christian Krohg
Kampen for tilvarelsen
«Kampen for tilværelsen» (Struggle for existence) 1888-89 300x225cm in the National Gallery of Norway
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Christian Krohg
Trett
«Trett» (Tired)
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Christian Krohg
Selvportrett med staffeli
«Selvportrett med staffeli» (Self-portrait with canvas)
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Christian Krohg
Sovende mor med barn
«Sovende mor med barn» (Sleeping mother with child)
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Christian Krohg
Haret flettes
«Haret flettes» (The hair is combed)
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Christian Krohg
17 May
«17. mai» (17 May)
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Christian Krohg
Oda Krohg
«Oda Krohg» 1886
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Christian Krohg
en moder fletter sin lille datters har
se
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Christian Krohg
niels gaihedes middagslur
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Christian Krohg
to fiskere pa en bank faran staldlangen i brondums gard
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| Christian Krohg
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1852-1925
Norwegian
Christian Krohg Gallery
Krohg was educated in Germany at the Baden School of Art in Karlsruhe under Hans Gude[1], and later worked in Paris from 1881 to 1882. Inspired by the thoughts of the realists he chose motives primarily from everyday life ?C often its darker or socially inferior sides. Particularly well known are his pictures of prostitutes, and his novel Albertine from 1886 is about this theme. The book caused a scandal when first published, and was confiscated by the police. Krogh??s powerful and straightforward style made him one of the leading figures in the transition from romanticism to naturalism, characteristic of Norwegian art in this period. Through his periodic residence at Skagen, where he arrived for the first time in 1879, he had great influence on Anna and Michael Ancher, and provided early support to Edvard Munch.
Krohg was a journalist in the Oslo newspaper Verdens Gang 1890-1910, where he wrote remarkable portrait interviews. Later he became a professor director at Statens Kunstakademi (The Norwegian Academy of Arts) 1909-1925.
He was married to Oda Krohg.
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