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Christian Krohg
christian krohg
1852-1925
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Christian Krohg
ane gaihede skarer brod
1879 bergens billedgalleri
se
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Christian Krohg
i baljen
1889
statens museum for kunst
se
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Christian Krohg
sovende mor ved sit barns vugge
1883
rasmus meyers samlinger, bergen
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Christian Krohg
et nodskud
se
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Christian Krohg
fisker niels gaihedes middagslur. ca
1882
se
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Christian Krohg
en mor fletter sin lille datters har
1888
se
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Christian Krohg
et nodskud
1887
se
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Christian Krohg
albertine i polislakarens vantrum
1877
se
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Christian Krohg
Portrait of the Norwegian Painter Gerhard Munthe
Christian Krohg: Portrait of the Norwegian Painter Gerhard Munthe. 1885. Oil painting.
cjr
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Christian Krohg
I baljen.
Probably 1889.
Oil on canvas.
cjr
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Christian Krohg
Kone som skjarer brod
Oil on canvas, 80x60 cm.
cjr
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Christian Krohg
Trett
Oil on canvas, 79,5x61 cm.
cjr
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Christian Krohg
Christian Krohg
Christian Krohg: Portrait of the Norwegian Painter Gerhard Munthe. 1885. Oil painting.
cyf
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Christian Krohg
I baljen
Year: Probably 1889.
Oil on canvas.
cyf
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Christian Krohg
Trett
Painted 1885.
Oil on canvas, 79,5x61 cm.
cyf
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Christian Krohg
Albertine i politilagens ventevarelse
Year painted: 1886-1887.
Oil on canvas.
TTD
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Christian Krohg
Kampen for tilvarelsen
Date 1889
TTD
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Christian Krohg
Trett (Morgenstemning)
Painted 1885.
Oil on canvas, 79,5x61 cm
TTD
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Christian Krohg
Selfportrait of Christian Krohg
Date 1912
TTD
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| Christian Krohg
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1852-1925
Norwegian
Christian Krohg Gallery
Krohg was educated in Germany at the Baden School of Art in Karlsruhe under Hans Gude[1], and later worked in Paris from 1881 to 1882. Inspired by the thoughts of the realists he chose motives primarily from everyday life ?C often its darker or socially inferior sides. Particularly well known are his pictures of prostitutes, and his novel Albertine from 1886 is about this theme. The book caused a scandal when first published, and was confiscated by the police. Krogh??s powerful and straightforward style made him one of the leading figures in the transition from romanticism to naturalism, characteristic of Norwegian art in this period. Through his periodic residence at Skagen, where he arrived for the first time in 1879, he had great influence on Anna and Michael Ancher, and provided early support to Edvard Munch.
Krohg was a journalist in the Oslo newspaper Verdens Gang 1890-1910, where he wrote remarkable portrait interviews. Later he became a professor director at Statens Kunstakademi (The Norwegian Academy of Arts) 1909-1925.
He was married to Oda Krohg.
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