|
|
|
|
|
|
Charles conder
Departure of thte OrientCircularQuay (nn02)
1888
Oil on canvas
17 3/4x19 3/4"
Purchased 1888
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Holiday at Mentone (nn02)
1888
Oil on canvas
18 1/4x24"
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Springtime (nn02)
1888
Oil on canvas
17 3/5x23 1/4
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Yarding Sheep (nn02)
1890
Oil on canvas
14x22 1/16"
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Departure of the SS Orient from Circular Quay
1888
Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in)
Art Gallery of New South Wales,Sydney (mk63)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Miss Raynor
mk167
c.1890
Oil
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
The Meeting
mk167
c.1895
Watercolo on silk
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Figure composition
mk167
c.1905
Oil
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
A Holiday at Mentone
A Holiday at Mentone, c1888. This painting featured on a 1984 Australian postage stamp.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Impressionists' Camp
Impressionists' Camp (1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868-1909).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Herrick Blossoms
Herrick's Blossoms (1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder (1868-1909).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Arcadia
Arcadia (1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868-1909).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Centennial Choir at Sorrento
Centennial Choir at Sorrento (1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868-1909).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Going Home
Going Home (1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868-1909).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
How We Lost Poor Flossie
How We Lost Poor Flossie (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868-1909).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
The Fatal Colours
The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Impressionists Camp
1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909).
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Herrick s Blossoms
1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Arcadia
1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909).
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles conder
Centennial Choir at Sorrento
1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909).
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Charles conder
|
English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
|
