UK Oil Painting Reproductions Carlo Dolci 1

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Carlo Dolci 1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.

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Carlo Dolci Self Portrait_i oil painting

Painting ID:: 978

Carlo Dolci
Self Portrait_i
1674 Galleria degli Uffizi, Florence

Carlo Dolci Vase of Flowers oil painting

Painting ID:: 979

Carlo Dolci
Vase of Flowers
1665-75 Galleria degli Uffizi, Florence

Carlo Dolci Portrait of Ainolfo de' Bardi oil painting

Painting ID:: 980

Carlo Dolci
Portrait of Ainolfo de' Bardi
1632 Galleria degli Uffizi, Florence

Painting ID:: 981

Carlo Dolci
Magdalene
1660-70 Galleria degli Uffizi, Florence

Carlo Dolci The Adoration of the Kings oil painting

Painting ID:: 43093

Carlo Dolci
The Adoration of the Kings
mk170 1649 Oil on canvas 117x92cm

Carlo Dolci Angelo annunciante oil painting

Painting ID:: 83227

Carlo Dolci
Angelo annunciante
o/tl, 52 x 40 cm, Louvre Paris Date XVII s. cyf

Carlo Dolci

1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.