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Carlo Crivelli
Annunciation with Saint Emidius
1486
National Gallery, London
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Carlo Crivelli
Lamentation over the Dead Christ
1485
Museum of Fine Arts, Boston
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Carlo Crivelli
Madonna and Child Enthroned with a Donor
1470
National Gallery of Art, Washington DC
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Carlo Crivelli
St.James of Marche with Two Kneeling Donors
Musee du Louvre, Paris
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Carlo Crivelli
St.Roch
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Carlo Crivelli
James of the Marche with Two Kneeling Donors (mk05)
Wood 78 x 25 1/2''(198 x 65 cm)Entered the Louvre in 1862
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Carlo Crivelli
Annunciation whit St Emidius (mk08)
1486
Oil on canvas,Transferrde to wood
207x147cm
London National Gallery
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Carlo Crivelli
Annunciation with St Emidius
mk86
1486
Oil on canvas,transferred to wood
207x147cm
London,National Gallery
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Carlo Crivelli
Jakobus of the boy with the Hl. Philippus and Bernhard
mk148
Jakobus the boy to the left) considered usually to be Jesu brother becomes he holds a Tuchwalker-pole in the hand the tool its execution around 62n.Chr.)
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Carlo Crivelli
Madonna of the Passion
mk156
c.1460
Tempera on panel
71x48cm
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Carlo Crivelli
Annunciation with St. Endimius
mk156
1486
Oil on canvas transferred to wood
207x147cm
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Carlo Crivelli
The Vision of the Blessed Gabriele Ferretti
mk170
circa 1489
Oil and egg tempera on poplar
141x87cm
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Carlo Crivelli
The Dead Christ Supported by two angels
mk170
1473-1475
Tempera on poplar
72.4x55.2cm
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Carlo Crivelli
The Annunciation
mk170
oil and egg tempera on canvas
207x146.7cm
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Carlo Crivelli
La Madonna della Rondine
mk170
1490-1492
Oil and egg tempera on poplar
150.5x107.3cm
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Carlo Crivelli
Vekundigung at the Maria
mk186
1486 London, Natinal Gallery
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Carlo Crivelli
Faith madonna with child, and the donor
mk234
about 1470
130x55cm
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Carlo Crivelli
the annunciation,with st.emidius
mk247
1486,egg tempera and oil on canvas,81x57.675 in,207x146.5 cm,national gallery,london,uk
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Carlo Crivelli
the vision of the blessed gabriele
mk247
c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
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Carlo Crivelli
scene of pork butcher s shop
mk247
c.1510,fresco (detail),castle lssogne,aosta valley,ltaly
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| Carlo Crivelli
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1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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