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Caravaggio
The Crowning with Thorns f
Oil on canvas, 127 x 165,5 cm
Kunsthistorisches Museum, Vienna
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Caravaggio
Still-Life with Flowers and Fruit g
1590s
Oil on canvas, 105 x 184 cm
Galleria Borghese, Rome
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Caravaggio
The Death of the Virgin (mk05)
Canvas,145 1/4 x 96 1/2''(369 x 245 cm).Commissioned for the Church of Santa Maria dela Scala at Trastevere in Rome But rejected on grounds of indecency.collections of Duke of Mantua,Charles I,and Louis XIV(acquired from Eberhard Jabach in 1671)
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Caravaggio
The Fortune Teller (mk05)
Canvas,39 x 51 1/2''(99 x 131 cm).Given to Louis XIV by Don Camillo Pamphili in 1665
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Caravaggio
Alof de Wignacourt and His Page (mk05)
1608(painted at Malta)
canvas,76 1/2 x 53''(194 x 134 cm).Acquired by Louis XIV in 1670
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Caravaggio
The young Bacchus (mk08)
c.1591-1593
Oil on canvas
66x53cm
Rome,Galleria Borghese
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Caravaggio
Bacchus (detail) (df01)
1593-1595
Florence,Galleria degli Uffizi
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Caravaggio
Supper at Emmans (mk33)
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Caravaggio
Self-Portrait as Bacchus
mk52
Oil on canvas
66x52cm
Galleria Borghese,Rome
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Caravaggio
David with the Head of Goliath
mk52
c.1610
Oil on canvas
125x100cm
Galleria Borgese,Rome
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Caravaggio
Medusa
mk65
Oil on canvas applied to a poplar-wood shield
23 5/8x21 11/16in
Uffizi,Gallery
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Caravaggio
The Sacrifice of Isaac
mk65
Oil on canvas
40 15/16x53 1/8in
Uffizi.
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Caravaggio
The Tooth Puller
mk65
Oil on canvas
54 15/16x76 9/16in
Pitti.
Pitti,Palatine Gallery
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Caravaggio
Sleeping Cupid
mk65
Oil on canvas
28 3/8x41 5/16in
Pitti,
Palatine Gallery
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Caravaggio
Portrait of a Knight of Malta
mk65
Oil on canvas
46 5/8x76 9/16in
Pitti,Royal Apartments
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Caravaggio
Bacchus
mk67
Oil on canvas
37 3/8x33 7/16in
Uffizi,Gallery
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Caravaggio
Details of Martyrdom of St.Matthew
nn05
Gentle angel for a cardinal
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Caravaggio
Martyrdom of St.Matthew
nn05
1599-160
The theatre of cruelty
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Caravaggio
Details of Martyrdom of St.Matthew
nn05
Bloddthirsty murder,fear and horror
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Caravaggio
Details of Martyrdom of St.Matthew
nn05
To bear witness and die for One's beliefs
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| Caravaggio
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Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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