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Camille Pissaro
Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8"
National Gallery of Art, Washington DC
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Camille Pissaro
Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8"
National Gallery of Art, Washington DC
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Camille Pissaro
The Artist's Garden at Eragny
1898 29" x 36 3/8"
National Gallery of Art, Washington DC
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Camille Pissaro
Washerwoman, Eragny sur Epte
1895
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Camille Pissaro
Apple Picking at Eragny sur Epte
1888 Dalla Museum of Art
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Camille Pissaro
Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)
1887
1' 91/2"x2' 1 1/2"(54.5x65cm)
Bequest of Antonin Personnaz
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Camille Pissaro
The Church of St.Jacques at Dieppe (san08)
1901
1' 9 1/2"2' 1 3/4"(54.5x65.5cm)
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Camille Pissaro
Harfrost (mk06)
1873
2' 1 1/2'' x 3' 1''(65 x 93 cm)Bequest of Enriqueta Alsop,1972 RF 1972-27
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Camille Pissaro
The Crossroads,pontoise
mj156
1872
Oil on canvas
54.9x94cm
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Camille Pissaro
View from Louveciennes
mk170
1869-1870
Oil on canvas
52.7x81.9cm
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Camille Pissaro
Unknown work
mk191
1867
91x150.5cm
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| Camille Pissaro
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1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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