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Bartolome Esteban Murillo
Like Sister Duo Luo Deya
mk284 Oil on canvas 1674 44 x 30 cm Seville Cathedral
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Bartolome Esteban Murillo
Saint Qatar Fiorina Engagement
mk284 Oil on canvas 449 x 325 cm card Andes Monastery Tibet
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Bartolome Esteban Murillo
Saint Catherine of Alexandria
from 1650(1650) until 1655(1655)
Oil on canvas
186 x 104 cm (73.23 x 40.94 in)
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Bartolome Esteban Murillo
Vendedores de fruta
Title English: The Little Fruit Seller
Español: Vendedores de fruta
Français : La petite marchande de fruits
Polski: Mała sprzedawczyni owocew
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Bartolome Esteban Murillo
Angels' Kitchen
1646
Oil on canvas
180 x 450 cm
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Bartolome Esteban Murillo
homas of Villanueva dividing his clothes among beggar boys
Technique Oil on canvas
Dimensions 219.7 x 149.2 cm
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Bartolome Esteban Murillo
El milagro de la Piscina
Technique Oil on canvas
Dimensions 237 x 261 cm
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Bartolome Esteban Murillo
Christ healing the Paralytic at the Pool of Bethesda
1667-1670
oil on canvas
237 x 261 cm
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Bartolome Esteban Murillo
Vendedores de fruta
Medium English: oil on canvas
Polski: olej na potnie
Dimensions Deutsch: 149 x 113 cm
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Bartolome Esteban Murillo
San Antonio de Padua con el Nino
oil on canvas, 190 ?? 120 cm
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Bartolome Esteban Murillo
Saint Catherine of Alexandria
Medium Oil on canvas
Dimensions Expression error: Missing operand for *186 ?? 104 cm
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Bartolome Esteban Murillo
Kinder beim Werfelspiel
Medium Oil on canvas
Dimensions Expression error: Missing operand for *140 ?? 108 cm
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Bartolome Esteban Murillo
Christ healing the Paralytic at the Pool of Bethesda
Medium Oil on canvas
Dimensions 237 x 261 cm
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Bartolome Esteban Murillo
Die Melonenesser
Date Deutsch: um 1645-1655
English: c. 1645-1655
Medium Oil on canvas
Dimensions 146 x 104 cm (57.48 x 40.94 in)
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Bartolome Esteban Murillo
Dolorosa
Dolorosa, oil on canvas, 166 x 107 cm., Museo de Bellas Artes de Sevilla
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Bartolome Esteban Murillo
Dolorosa
166 X 107 cm., Museo de Bellas Artes de Sevilla
Date ca. 1665
cyf
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Bartolome Esteban Murillo
Virgin and Child,
Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s
cjr
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Bartolome Esteban Murillo
Bartolome Esteban Murillo
Óleo sobre lienzo. 0,93x0,66, Meadows Museum, Dallas, Texas.
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Bartolome Esteban Murillo
Virgin and Child
oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s
cyf
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Bartolome Esteban Murillo
San Leandro, Obispo de Sevilla
1655
Oil on canvas
cjr
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| Bartolome Esteban Murillo
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Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
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