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BRAMANTE
Christ at the Column gfd
c. 1490
Tempera on panel, 93 x 62 cm
Pinacoteca di Brera, Milan
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BRAMANTE
Man with a Halbard (detail) fg
c. 1481
Fresco transferred to canvas
Pinacoteca di Brera, Milan
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BRAMANTE
Man with a Broadsword dfg
c. 1481
Fresco transferred to canvas, 285 x 127 cm
Pinacoteca di Brera, Milan
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BRAMANTE
Man-at-Arms ds
c. 1481
Fresco transferred to canvas, 90 x 113 cm
Pinacoteca di Brera, Milan
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BRAMANTE
Heraclitus and Democritus fd
1477
Fresco transferred to canvas
Pinacoteca di Brera, Milan
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BRAMANTE
Study fgf
Drawing
Galleria degli Uffizi, Florence
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BRAMANTE
Exterior of the church dfg
begun c. 1492
Santa Maria delle Grazie, Milan
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BRAMANTE
Tempietto d
1502
San Pietro in Montorio, Rome
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BRAMANTE
Portrait of Camilla Spinola
oil on canvas, circa 1633. Accession number 1774
Date
cyf
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BRAMANTE
Death of Joseph Bara
Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9.
Date
cyf
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BRAMANTE
Louis Stanislas Xavier, comte de Provence
Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille.
cyf
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BRAMANTE
Abraham DavelAbraham Davel
Execution of major en:Abraham DavelAbraham Davel. Reproduction of a painting by Charles Gleyre, oil on canvas, 1850. On display at Morges military museum.
cjr
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BRAMANTE
comte de Provence
Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille.
cyf
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BRAMANTE
Death of Joseph Bara
Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9.
cyf
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BRAMANTE
Portrait of mister de Courcy
oil on canvas, 1816. Accession number D.44.988.04.
Date
cyf
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BRAMANTE
Moses saved from the waters, David Winckboons
Moses saved from the waters, David Winckboons, 1600-1602. Oil on wood. Bought in 1941. Accession number: 1654
cjr
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BRAMANTE
Ancient copy of a miniature
1820. Oil on canvas.
cyf
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BRAMANTE
Execution of major en:Abraham DavelAbraham Davel
oil on canvas, 1850
cyf
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BRAMANTE
Christ and the adulterous woman
Christ and the adulterous woman, Anonymous from Venice (formerly attributed to El Greco), second half of the 16th century. Oil on Canvas. Bought in 1890. Accession number: 238
cjr
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BRAMANTE
Birds, French anonymous of the early 17th century
oil on wood, 1619
cjr
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| BRAMANTE
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Italian High Renaissance Architect and Painter, 1444-1514
In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations.
Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.
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