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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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BELLEGAMBE, Jean
Flemish painter (c. 1480 - c. 1535)
South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'. |
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BELLEGAMBE, Jean
The Retable of Le Cellier (triptych)
inner-right panel featuring St. Malachy O\'Morgair & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York
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BELLEGAMBE, Jean
The Retable of Le Cellier
inner-left panel featuring St. Bernard & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York.
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BELLEGAMBE, Jean
Annunciation ghg
1516-17
Oil on canvas tansferred from wood, 109 x 80 cm (central), 103 x 33 cm (side)
The Hermitage, St. Petersburg
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BELLEGAMBE, Jean
The Le Cellier Triptych
1508-09
Tempera and oil on wood
Metropolitan Museum of Art, New York
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BELLEGAMBE, Jean
The Miracle of Lactation
mk65
Oil on canvas
transferred from panel
40 1/2x 13"
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BELLEGAMBE, Jean
Portrait of Miss Ella Carmichael
1906(1906)
Medium Oil on canvas
cyf
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BELLEGAMBE, Jean
The Le Cellier Triptych
1508(1508) and 1509(1509)
Medium tempera and Oil on wood
cyf
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| BELLEGAMBE, Jean
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Flemish painter (c. 1480 - c. 1535)
South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'.
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