|
|
|
|
|
|
Andrea del Verrocchio
Madonna di Piazza
mk83
after 1475
Oil on wood
189x191cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
The Baptism of Christ
mk86
c.1475
Tempera on wood
177x151cm
Florence,
Galleria degli Uffizi.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Reiterportrat of Niccolo there Tolentino
mk137
1456 Ubertragenes frescos 833x512cm II Duomo, Florence
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Halfte second women head
mk137
the 15. century metal pencil feather and brush Weibhohungen 26.7x22.4cm muse you
Louvre, Paris
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
The Baptism of Christ
mk156
c.1470
Oil on panel
177x151cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Equestrian Statue of Bartolomeo Colleoni
mk157
1481-94
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Head of a Girl
Drawing British Museum, London
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Tobias and the Angel
nn09
c.1470-800
33x26in
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Christ-s baptism
mk234
about 1470
180x152cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia
Madonna with Sts John the Baptist and Donatus (1475-83), Cathedral of Pistoia
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
The Baptism of Christ,
The Baptism of Christ, 1474-1475, Verrocchio and Leonardo.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Madonna with Child,
Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Verrocchio
Year Deutsch: um 1475
English: c. 1475
Technique Oil on panel
Dimensions Deutsch: 177 X 151 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Baptism of Christ
from 1470(1470) until 1475(1475)
Oil and tempera on panel
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
The Baptism of Christ
ca. 1475(1475)
Oil on panel
177 X 151 cm (69.68 X 59.45 in)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Baptism of Christ
Date from 1470(1470) until 1475(1475)
Medium Oil and tempera on panel
Dimensions Width: 152 cm (59.84 in). Height: 180 cm (70.87 in).
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Baptism of Christ
Date ca. 1475(1475)
Medium Oil on panel
Dimensions 177 X 151 cm (69.68 X 59.45 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Tobias und der Engel
1470 - 1475
Oil on panel
84 X 66 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
Tobias und der Engel
Date 1470 - 1475
Medium Oil on panel
Dimensions Deutsch: 84 ?? 66 cm
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Andrea del Verrocchio
The Baptism of Christ
Oil on wood, 177 x 151 cm
Date between 1472(1472) and 1475
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Andrea del Verrocchio
|
Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
|
