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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Andrea del Sarto
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one. |
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Andrea del Sarto
Assumption of the Virgin
Date between 1526(1526) and 1529(1529)
Medium Oil on wood
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Andrea del Sarto
St James
1528(1528) and 1529(1529)
Medium Oil on canvas
cyf
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Andrea del Sarto
Madonna and Child with St Elisabeth, the Infant St John, and Two Angels
Date between 1515(1515) and 1516(1516)
Medium Oil on wood
Dimensions Height: 141 cm (55.5 in). Width: 106 cm (41.7 in).
cjr
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Andrea del Sarto
Madonna and Child with Sts Catherine, Elisabeth and John the Baptist
Date 1519(1519)
Medium Oil on canvas transferred from wood
Dimensions Height: 102 cm (40.2 in). Width: 80 cm (31.5 in).
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Andrea del Sarto
Maria mit Kind und Johannesknaben
Öl auf Nussbaumholz
Dimensions Deutsch: 54 x 46 cm
cyf
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Andrea del Sarto
Portrait of a woman in yellow
c. 1529 - 1530
Medium Oil on canvas
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Andrea del Sarto
Elisabeth and John the Baptist
1519(1519)
Medium Oil on canvas transferred from wood
cyf
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Andrea del Sarto
Lady with a book of Petrarch's rhyme
1528(1528)
Medium oil on panel
Dimensions Height: 87 cm (34.3 in). Width: 69 cm (27.2 in).
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Andrea del Sarto
Madonna of the Harpies
1517(1517)
Medium oil on panel
Dimensions Height: 208 cm (81.9 in). Width: 178 cm (70.1 in
cyf
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Andrea del Sarto
Charity
1518(1518)
Medium Oil on canvas (transferred)
Dimensions Height: 185 cm (72.8 in). Width: 137 cm (53.9 in).
cjr
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Andrea del Sarto
Assumption of the Virgin
between 1526(1526) and 1529(1529)
Medium oil on panel
cyf
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| Andrea del Sarto
|
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael.
Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) .
He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years.
A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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