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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Andrea Pozzo
Italian Baroque Era Painter, 1642-1709
Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist's role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola's Spirited Exercises (1548). |
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Andrea Pozzo
Saint Francis Xavier
1701
Oil on canvas, 235 x 137 cm
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Andrea Pozzo
Allegory of the Missionary Work of the Jesuits
mk156
1685-94
Fresco
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Andrea Pozzo
The apotheosis of St. lgnatius
MK169
1691-94 ceiling painting in the ship of the Sant lgnazio cream
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Andrea Pozzo
The Apotheose of S
Ignazio, detail: The Continents 1688-90 Fresco Sant'Ignazio, Rome Artist: POZZO, Andrea Painting Title: The Apotheose of S. Ignazio, detail: The Continents , 1651-1700 Painting Style: Italian , , religious
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Andrea Pozzo
The Apotheose of S. Ignazio
The Continents 1688-90 Fresco Sant'Ignazio, Rome Artist: POZZO, Andrea Painting Title: The Apotheose of S. Ignazio, detail: The Continents , 1651-1700 Painting Style: Italian , , religious
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| Andrea Pozzo
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Italian Baroque Era Painter, 1642-1709
Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist's role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola's Spirited Exercises (1548).
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