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Albrecht Durer
Man
mk168
age ninety-three
415x252mm
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Albrecht Durer
St.Jerome in his Cell
mk168
Oil on wood
60x48cm
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Albrecht Durer
THe Magdalen embracine the cross
mk168
Chald drawing on green grounded paper
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Albrecht Durer
St.Apollonia
mk168
414x288mm
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Albrecht Durer
Christ Carrying the Cross
mk168
210x285mm
Pen and ink on paper
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Albrecht Durer
Christ Carrying the Cross
mk168
210x285mm
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Albrecht Durer
The Deposition of Christ
mk168
205x290mm
Pen and ink on paper
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Albrecht Durer
The Great Crucifixion
mk168
320x230mm
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Albrecht Durer
Portrait of a Young man
mk168
378x271mm
London
British Museum
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Albrecht Durer
Portrait of Rodrigo Fernandez d-Almada
mk168
373x271mm
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Albrecht Durer
St.Jerome in his study
mk168
247x188mm
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Albrecht Durer
Portrait of a man
mk168
Oil on oak
50x36cm
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Albrecht Durer
Portrait of Bernhard von Reesen
mk16845.5x31.5cm
oil on oak
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Albrecht Durer
The Betrayal of Christ
mk168
282x180mm
Vienna.
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Albrecht Durer
Christ Before Caiaphas
mk168
283x178mm
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Albrecht Durer
St.Anthony The Hermit
mk168
96x143mm
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Albrecht Durer
The Sudarium Held By An Angel on a small Cartellino
mk168
185x134mm
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Albrecht Durer
Agony in the Garden
mk168
221x156mm
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Albrecht Durer
Two Venetian Ladies
mk168
290x173mm
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Albrecht Durer
The Virgin Nursing the Child near the bottom,on a stone
mk168
1503
113x70mm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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